Thursday, December 18, 2008
Tuesday, December 16, 2008
Santa Baby
Thursday, December 11, 2008
Little One
She picks up another rock, peering at the indent in the soft earth before letting it drop with a muffled thump. The beach is the other way – she even has her bathing suit still on – but no, she wants to meander along the edge of the woods. The bathing suit looks ridiculous really. A bright pink onesie with silly frills; exactly what you would expect parents to put on their kids. Awww, look how silly and cute and adorable she is. It’s a good thing that little kids don’t have any fashion sense, otherwise they would surely detest their parents’ lack thereof.
“Eewwwww.” She’s found what she was looking for. Underneath the latest rock lies, now exposed, a horde of creepy crawlies. Grimacing, she pulls out an earthworm, admiring it. She puts it aside, examining the other bugs, placing them in a neat pile to the side. One of the other kids toddles over to see what could be so interesting. She ignores him, intent on her plunder, until he looks away and she casually drapes the earthworm around his shoulders. Screaming, the kid runs back to mommy, who glares defensively back at us. Sighing, I leave my protective perch on a nearby boulder and stroll up to her.
“That wasn’t very nice, you know.”
“I know,” she says, minding her little patch of bugs, not looking at me. She’s heard this before, I’m sure.
“So why’d you do it?”
“He was buggin’ me. Besides, everyone likes bugs, it’s not my fault. Here, have some.” She thrusts a fistful of insects at me.
“No thanks,” I respectfully decline. “So I guess you know a lot about bugs, huh?”
“Mmyup, that’s right,” she holds up a shiny black and brown beetle, “This one here – see it? – this one is the, uh, Hercules Beetle. He can lift a thousand times his body weight!” She brandishes the beetle again, expecting shock and awe.
“Really? It looks like just an ordinary beetle to me.”
“Nuh-uh, it’sa Hercules Beetle,” she takes the beetle back, holding it close to protect its identity.
“Oh, well that one is a, uh, European Strangler,” I point dramatically at the confused-looking earthworm looking for a way back into the dirt. “Be careful with that one, they’ve been known to attack chickens, cows, and small mountain lions.”
“What? I don’t know about that,” she suspiciously eyes the worm.
“Then I guess you wouldn’t know about the serious damage they’ve caused ever since they were accidentally brought over from
“Whoa,” she stares at the earthworm with new caution. As she watches the worm twisting its way back into the ground, her mom waves at us, motioning at us to come back to the beach.
“How about we head back to the water?”
“Nno, the water’s boring. Bugs are more fun.”
“Ah, but in the water there be monsters. Ever heard of the giant squid?”
“No…”
“It’s the size of a bus, with huge long tentacles and a huuuge beak – ”
“A beak?”
“Yeah, and it’s mortal enemy, the sperm whale, dives all the way down to the deep – where the squid lives – just to battle it out.”
“No way! We hafta get to the water!”
“Alright, let’s go!”
We dashed down to the beach, where she dove into the water to grapple with imaginary monsters. Startled by the display of voracity, her mom leaned over and asked, “What did you tell her?”
“I just told her about giant squids and sperm whales.”
“I suppose she’ll be wanting some books on the deep then. We just bought her that series on insects, you know.”
“Yeah.”
“And just last week she was in the backyard climbing trees to have a word with the birds.”
“Good idea, those crows can be a damned nuisance.”
“I wonder if she’ll ever settle on one subject.”
“Well, probably not.”
Wednesday, December 10, 2008
Sigur Rós - ( )
I recommend listening to the album before reading this review, as it gives away what the album sounds like, so this is my spoiler warning.
This album is so extremely unique, that I will go through it track by track:
Untitled 1
Nice, smooth intro to the album. It is like a refreshing glass of cool water after listening to some more intense bands recently (Aerosmith, Tool etc.). A more chilling (in terms of temperature) track (for Sigur Rós), which leads to expecting a more chilling album.
Untitled 2
The light drum beat helps this song, and as the song progresses it keeps the upbeat sound. Nice, gentle rock that is quite relaxing. More towards the end of the song the listener gets the feeling that it will lead up to a climax, either later in the song, or later in the album, and the very soft ending leads the listener to believe that it will be the latter of the two.
Untitled 3
A simple instrumental, with a piano played all the way through. Though I don't mind the vocals, it can be nice to have a good break from them. The piano is played over a chilling noise, most likely a type of guitar, and this track is a prime example of the cold feeling that the album gives.
Untitled 4
The album starts to pick up. A thundering drum beat starts off the song and then the ringing-guitar sequence leads into the vocals. The ringing guitar returns throughout the song, and would serve as the first climax of the album. Jónsi's vocals are at one of their best moments, and everything just goes perfect in this track. The ending silence leaves the listener waiting anxiously for the next track to begin.
Untitled 5
Until now, the album would fit best on a sunny, winter day. Cold, but not dark. As the fifth track rolls along, though, the album takes a much darker turn. The begining of the track, still feeling cold, now has a gray feeling too it as well. After the more upbeat, happy "Untitled 4," "Untitled 5" surprises the listener and brings a depressing feeling with it. Even the climaxes in this track have a much darker and deeper feeling than those in the previous four tracks, and the main climax in this one soars above the other previous ones. This track proves to be the major turning point for the album, as it brings a whole new feeling.
Untitled 6
After the dark "Untitled 5" there is no knowing what could possibly be in store for this track. It continues with the dark and cold feeling, with a steady drumbeat behind the saddest vocals up to this point in the album. The climaxes, much like in "Untitled 5," are of a gloomy and morbid nature, and it is clear that the build up from the first four tracks lead to all of these unexpectedly dark climaxes (the best of which thus far in the album is late in "Untitled 6").
Untitled 7
After what could easily be the peak of the album, the listener is most likely expecting the album to settle down for a close in the last two tracks. The begining of "Untitled 7" even suggests that, but this masterpiece of an album isn't done yet. The vocals are probably the most cheerless and despairing of the whole album, with an almost effortless feel to them. The track is home to several extremely dark track-climaxes (climaxes of the song, not the album(album-climax)), but in the middle of the song, and again towards the end, there is are surprising album-climaxes, just when the listener thought that the album was dying down! The climaxes are still of the sorrowful nature, and have been since the dark tone took over in "Untitled 5."
Untitled 8
The final track opens up with a not-so-dark guitar intro, one that will surprise the listener with the sudden change of tone. The drum beat continues the more joyful feeling. The vocals return to the jovial sound not heard since "Untitled 4," and the climaxes hold a new cheer that was unseen in the album until now. Parts of this track still include the darker chilling effect when the guitar can be heard wailing in the background, but overall, the track, though still chilling and continuing with the cold feeling, is much more joyous. About half-way through the song, there is a sudden change back to the darkness of the previous three tracks, as it is mostly a solid drumbeat with despair in the vocals once again. This shocks the listener, just as they were getting settled in with the happier side of Sigur Rós. This drumming leads into the greatest climax in the album, when the drumming, picks up greatly towards the end of the track, and the guitar keeps the extremely dark feeling with it. The highlight of the album, the peak, the climax. After hearing the great peaks in other tracks, this was not expected. And after the more jovial begining to "Untitled 8," the darkest part of the album was not foreseen by the listener in the very same track.
Now it's all over, and the listener is overwhelmed with feelings. The album hits hard with both joyful feelings and feelings of despair. Sigur Rós 's ( ) is one of the most emotional albums that I've heard.
As with any post-rock album, it is full of downtime and climaxes. This album just happens to make all of it amazing. Though it helps to be a post-rock fan before trying this album, you should give it a try regardless of your previous tastes.
As the art for the album cover suggests, and as I mentioned several times during my review, the album is best for a cold, gloomy day. Summertime listening, though could still be enjoyable, is not what was intended when the album was created. No other album is more appropriate for a cold, dark day. One of a kind.
Now after a little over an hour of the soft and deep Sigur Rós, I think I'll put on Ween's Chocolate and Cheese.
This is Peter McNally (from my earlier letters, you probably know me as Petey Pie, but times have changed). First, I just want to say hello and wish you a merry Christmas. Second, would you please give this message to Mrs. Claus? It’s very important. Thank you.
Mrs. Claus? It's Peter again. We don’t want Santa reading over your shoulder, do we, so tell him to leave the room. Is he gone? No? Well tell him that he can eat the cookies I sent with the letter. That should give us enough time. Is he gone yet? Good. Now we can be alone…
I have been thinking of you every minute since we last spoke. I know you told me not to try and reach you while Santa was around, but I just cannot wait. Please. We must be together, and this time, I can’t wait till Christmas.
Everyone’s talking about your current lover, but we both know that Santa is incapable of love – just lust. I know that there is a lot more in that sack he brings down the chimney at night than just toys, and that there are a lot of single mothers out there. It doesn’t take a genius to put two and two together.
If not for my sake, then for yours! How many times has he come home late from the toy factory, drunk on eggnog? A nose that red can’t come from cold whether alone. And when he comes home, is he tender? Does he whisper sweet nothings in your ear like I do? No.
This year, the only thing I want for Christmas is you.
Merry Christmas,
Peter
-PS. Burn this letter after you read it. Santa must never know.